What’s The Story, Muthur?
To the point, tabletop gaming
D&D’s Best Intro Campaign? I ran Lost Mine of Phandelver For My Group
Lost Mine of Phandelver (LMoP) is the first D&D 5e starter set adventure. Released in 2014, LMoP is an event driven campaign for 3 - 5 players, taking characters from level 1 - 5.
By JimmiWazEre
Opinionated tabletop gaming chap.
TL;DR: Lost Mine of Phandelver starts strong with tight early dungeons and a solid onboarding for new players, but quickly loses focus. The villain is forgettable, the pacing drifts, and structural choices teach new DMs bad habits like railroading and pulling punches. I rebuilt huge sections and turned it into a spaghetti western, giving the BBEG presence, adding time pressure, and replacing the green dragon with a recurring ancient red. The result was decent enough, but only because of heavy rewrites.
Run it as written and you’ll learn the hard way.
Introduction
Belch, Duncath, Twig, Diego, and Nasbo fire up the Forge of Spells.
From the shadows: slow clap. “Well done…” says the Black Spider, stepping into the dim light. “You have been my pawn from the start…”
Her skin tears away. Her back splits. The Black Spider crumples, replaced by an ancient red dragon — Dragos, the Destroyer of Worlds.
“Bow before me… or burn in this place!”
What is the Lost Mine of Phandelver?
Lost Mine of Phandelver (LMoP) is the first D&D 5e starter set adventure. Released in 2014, LMoP is an event driven campaign for 3 - 5 players, taking characters from level 1 - 5.
It took me several months of play to finish this, you could probably do it faster but we’re limited to 2-3 hours sessions twice a month.
That’s right folks, it’s another review from Jimbo about a product that’s been out for chuffin’ ages already! Wooo.
Spoiler Warning
As written, the adventure is set on the Sword Coast, near Neverwinter, this dwarf dude named Gundren Rockseeker has found the legendary Wave Echo Cave (WEC), and the valuable Forge of Spells (FoS) within. He's recruited you to help him clear the place out and get it up and running.
The only problem is that en route to the frontier town of Phandalin, near WEC, Rockseeker is kidnapped by the Cragmaw Goblins, leaving you and your fellows to pick up the pieces.
The bulk of the adventure then follows the PCs as they attempt to find and rescue Rockseeker, discover the location of WEC for themselves, and thwart the various factions who're standing… sometimes in their way, and sometimes just off to the side.
This all ends with a fight against a BBEG you’d be forgiven for forgetting about called The Black Spider, who's been orchestrating all the local problems from the shadows like some moustache twirling villain out of a Saturday morning cartoon.
Ok, that's you all caught up.
So, What's it trying to do differently?
LMoP is a starter set, so it's trying to teach new DMs and players how the game works over the course of a strictly Event Driven Campaign (EDC). Emphasis on strictly, because all modules sit somewhere on a scale between sandbox and railroad. Well, this adventure sits at 90% railroad and IMO that’s too much for something that’s meant to set expectations.
The big problem here is that the EDC structure is a rigid sequence of set pieces where the players are nudged from one scene to the next. In my opinion, that’s a rubbish exposure to how an adventure should look for a new DM, and it’s a big reason you see so many online complaints about railroading from players regarding their lack of agency, and from burnt out DMs begging for help over their stress trying to force the flow of the game towards the predefined solution.
What does it do well?
Cragmaw Hideout in act 1 is a neat and concise little dungeon that does a good job teaching players about stealth, traps, competing factions, multiple paths and solutions. Aside from being too verbose, (which I’ll get to later) the dungeon presents a nice little challenge to the players, and is easy enough to run for the DM.
Redbrand Hideout too, is a little bigger but still very well designed and reinforces those lessons about multiple routes, traps, and adds rewards for extra exploration. It also includes a cool encounter with a Nothic which can lead to fun shenanigans - like sucking the skin off a willing dragonborn’s finger!
Finally I can confirm that this adventure contains both dungeons and a dragon, which at the very least earns it points for correct advertising.
Unfortunately that's about as much as I can honestly say that I thought was legitimately good. Everything else is 'meh' at best.
Yikes, I've got some beef. What didn't I like?
Deep breath.
Teaching the Wrong Lessons
Ok, so, as it's meant to be played the first encounter is a forced combat, seemingly 'balanced', and yet it's so deadly that any DM playing the ambushing goblins with any degree of tactical nouce should cause a TPK within a few turns. This is a terrible lesson - forced combats are bad enough, but making brand new DMs fight with one hand tied behind their back to give the fledgling players half a chance sets a bad precedent about expecting fudged rolls for both parties.
The text should acknowledge the deadliness here, and then give very specific guidance on what to do as DM if the player’s do not win.
Much later, Cragmaw Castle offers a false dichotomy. You see, players can go in the front door but that's obviously trapped, but if they do then it leads to several routes through the dungeon until the end and a potentially satisfying experience.. However, because of the aforementioned trap, the players do a quick bit of recon, and discover that they can just walk around the outside the castle and go in through the prominently placed side door with a simple pick lock check. After that they can chance upon skipping the entire dungeon by turning right on a whim and walking straight to the boss room with Gundren.
The game is trying to teach players that there are multiple paths and choices, but if one of those choices is obviously the right answer, then that's no choice at all - all we’re left with is an anti-climax.
Terrible Layout
Man alive, I hate long form text! If you want to run from the book (because, you know, that's why you bought a book in the first place) without having to spend hours rewriting and summarising it, then the DM is required to parse long form prose over several pages then flip back to a map for reference. This is no way to design an adventure, and it makes running scenes slow and easy to mess up.
Below is just 2 pages from the 9 page WEC dungeon. Can you imagine trying to read that at the table, under pressure, and then articulate it back to your players? And those read aloud text boxes - my player’s would be asleep!
Half-baked “Story”
Gundren, the whole game is about rescuing Gundren, but other than a single boring real-aloud text box which mentions him at the start of the game - the players never meet him or have any genuinely gripping reason to care that he’s missing other than an underwhelming amount of GP offered as a reward.
In truth, the game comes with pre-gen characters that we didn’t use, and one or two of them have some tertiary connections to Gundren and Phandalin, but you don’t meet his brothers until the end so they’re not pressing you forwards, and the relationship Gundren has with Sildar is only mercantile, so why should he bust a nut begging for your help?
Then there’s the Black Spider. A BBEG that players just don't care about. As written, you never meet the Black Spider until the end, and you barely learn anything about them, their motives, or even that they're particularly evil or just misunderstood. That's a real kicker when you consider that this is so story driven - what's the point of a baddie if the players don't have an opinion about them?
It feels like ancient wisdom to say that a dragon that most players will never meet is no dragon at all. If a dragon falls over in the woods but no PC is there to hear it - does it still make a noise? Well, said dragon lives in Thundertree, which is so far removed from the main quest that I can't see many players naturally finding it without heavy DM fiat. What a waste of the game's only dragon!
Important DM Skills Completely Ignored
The game doesn't give you any tools to address pacing. Gundren has been kidnapped, but time might as well be standing still for days on end whilst you side quest. This should be used to teach DMs about driving urgency and hammering the game forwards with a simple GM facing timeline of steadily worsening events that happen if the PCs fail to act.
Speaking of act - after you finish up with the Redbrands, act 3 suddenly opens up into a sandbox which sends jarring messages about the game becoming a hex crawl. There’s only the most cursory guidance given to teaching DMs this new skill, and when the players have just experienced two acts teaching them that the game is a railroad about a time sensitive rescue mission, the sudden lack of direction brings the game screeching to a whiplash inducing halt.
Then, in act 4, WEC is such a large and boring dungeon that even the designers feel obliged to acknowledge as much. To combat this, rather than equipping the DMs with detailed knowledge about how to run a procedural dungeon crawl, the game settles for a quick paragraph about rolling a d20 on a random monster table according to GM fiat. This is not sufficient, not even close.
How did I run it?
I'm an experienced GM so after giving the game a cursery read through and seeing a tonne of things both objectively and subjectively bad, I had lots of work cut out for me to make a bunch of changes.
Some of those changes were quite experimental and not all of them worked as I'd hoped. We lives and learns, don’t we precious?
Setting
To start with - old forgotten mines, gangs, a frontier town... come on - this is a western, and yet, the game seems to forget this. Barely anything else nods towards this as the game defaults again and again to generic European fantasy land. Bugger that. So I reskinned it into a spaghetti western, including house-ruling in sixshooters. Much better.
Then, given my aforementioned loathing of long form prose at the table, I went through every dungeon and rewrote every room out for brevity and utility. Check out this post if you want to learn how to do this.
Goblin Arrows
This was really experimental, I ran act 1 as a lvl 0 gauntlet - each player had a cast of 4 characters each and whoever survived until after Cragmaw Hideout got to level up to 1, gain a class and became their primary character. This worked pretty well, but if you try it yourself make sure your players fully understand what's going to happen, as most of their characters will die by design and the players are expected to embrace this. It worked for me, just about - but you do you.
Phandalin
The cast of Phandalin got pruned down to just a few memorable NPCs. One of Gundren’s brothers was dead from the start, murdered by the Redbrands to push that conflict to the front. Sister Garaele became possessed by Agatha the Banshee, forcing the party to solve that before they could get her help.
I got rid of Thundertree as well, it's too far away from the adventure site and has absolutely nothing to do with anything. I also swapped out the young green dragon who lives there with an ancient red dragon; Dragos, Destroyer of Worlds, and I had him turn up every now and then as this ever present threat to extort treasure from the players. Man, they hated that dude!
The Black Spider was given presence. Introduced early under the guise of a serving girl at the Sleeping Giant Inn, I had her and the party competing to secure a lockbox (Thanks Matty P) containing a vital key to the Forge. She even kidnapped a beloved NPC, turning her from an abstract villain into someone the players actively hated.
The Spider’s Web
In Act 3, I tried expanding Old Owl Well into a full “funhouse” dungeon, and even though it was cool, it heavily distracted from Gundren’s rescue and confused the group about what mattered. The lesson there was clear: trying to add sandbox elements into a strict railroad just muddies both.
By the end of the Old Owl Well thread my players had pretty much forgotten all about Gundren, so I very quickly abandoned the idea of the exploratory sandbox, and swiftly provided more clues to guide the players towards his rescue where I made liberal use of progress clocks to make sure my players knew what was at stake. That alone is responsible for rescuing the Cragmaw Castle session from being a massive anticlimax due to it's bad dungeon design. If you want to learn about how and why to use progress clocks, check this post.
Wave Echo Cave
Wave Echo Cave was rebuilt into something tighter and easier to run. The maze became a tense skill challenge instead of a drawn-out slog.
At the climax, I revealed that the Black Spider was actually Dragos all along, which was a nice twist. One of my players even sided with the ancient red dragon whilst the others chose to fight, which gave me the opportunity to finish a campaign my favourite way - with a massive PvP monster bash.
You see, I placed 5 pilotable stone golems in the FoS chamber, and when battle commenced, the players used these in their combat against Dragos (who was controlled by the player who sided with him) - it was awesome and played out like the finale of an episode of Power Rangers, whilst I got to sit back and watch this really tightly fought match between titans.
What do other commentators say?
Matty P over on YouTube really likes LMoP, and I took a lot of his tips to heart about improving the story and trimming some of the fat, over the course of his full playlist . Definitely worth watching if you're planning on running it.
Conclusion
In the end, I have mixed feelings about LMoP, but I'm unfortunately leaning towards it being a bit pants. I really enjoyed acts 1 and 2, but the adventure rapidly drifts away from focus in act 3. additionally, for a game all about a prewritten story, said story requires a major rewrite to make it satisfactory.
Also, as a starter set to introduce new players and DMs to D&D, I think it probably does more harm than good if I'm being honest. I'd like to try to excuse it's flaws by saying it's really old, but frankly, there are starter adventures for earlier editions that have existed for much longer and nail it - Keep on the Borderlands anyone?
I guess I enjoyed myself running it, but only because I enjoying playing games with my friends, and maybe that's enough for you too? That said - I would have enjoyed myself even more running something better.
Hey, thanks for reading - you’re good people. If you’ve enjoyed this, it’d be great if you could share it on your socials - it really helps me out and costs you nothing! If you’re super into it and want to make sure you catch more of my content, subscribe to my free monthly Mailer of Many Things newsletter - it really makes a huge difference, and helps me keep this thing running!
Catch you laters, alligators.
How I’m Laying The Foundations Of A Great Pirate Borg Campaign
I’ve just finished running the Lost Mines of Phandelver (my thoughts on that will be up soon) and one of my players, Chris, is going to be taking up the GM mantle again in November to run us through Curse of Strahd. This gives us just a couple of months of palette cleansing time.
By JimmiWazEre
Closeted Pirate. With many opinions on tabletop games.
TL/DR:
Pirate Borg grabbed me like a sea curse and hasn’t let go. Here’s a look at how I’m preparing my first campaign
Why Pirate Borg?
I picked up Pirate Borg (PB) on a whim after seeing a few favourable reviews on YouTube, I was out of town and in a LGS and there it was. It’d have been rude not to. Scanning through it on the train journey home I was really pulled in with it’s evocative vibes and rules-lite grounding. I was reminded of the old Monkey Island games I used to play on the Amiga.
It’s consumed me! I’ve gone in deep down the special interest hole, consuming every piece of quality pirate content I can find:
Pirates of the Caribbean: The Curse of the Black Pearl (the rest are varying degrees of beautiful garbage - fight me!)
Black Sails on Netflix
The Lost Pirate Kingdom (a short docu-drama series on Netflix)
The Pirate History Podcast on Spotify
Real Pirates Podcast on Spotify
The Republic of Pirates by Colin Woodard
On Stranger Tides by Tim Powers
Countless YouTube videos on the differences between Sloops, Brigs, and Frigates - fore and aft sails vs square rigged sails, how they work. What a “Jib” is. Blackbeard, Benjamin Hornigold, Black Sam Bellamy, Charles Vane. The list goes on, and I love it all!
I especially love the idea of taking all that and then smushing it with other cool things like: the legend of Atlantis, El Dorado, Voodou, Necromancy, Cultists & Cosmic Horror, the Bermuda Triangle & mother trucking big assed beefy sharks! Anachronisms be damned!
Awesome. I have a very good feeling about this!
Structure & World Building
I’ve just finished running the Lost Mines of Phandelver (my thoughts on that will be up soon) and one of my players, Chris, is going to be taking up the GM mantle again in November to run us through Curse of Strahd. This gives us just a couple of months of palette cleansing time, so I’m thinking that sandbox style campaign is the way to go. Fortunately, PB seems to have been built with that in mind.
The developer, Limithron has provided a free campaign hex map of the “Dark Caribbean” and alongside the multitude of official and third party modules, this means that you can just feed the players rumours for one of these modules, and then drop it in as an adventure site in one of the hexes. That’s exactly how I’m doing it anyway.
The Dark Caribbean Campaign Map
Here’s one of the official maps that I’ve relabelled to be player facing, and drawn shipping lanes all over it so that players can make informed decisions about where the best pirating might be found. The GM version of this contains spoilers so I won’t be posting it here, but it’s basically this with a load of adventure sites keyed in.
Campaign Setting
PB comes with a framework of fictional history for you to work with. For my campaign, I’ve taken this and built upon it, whislt still keeping it fairly abridged. There’s a version that’s GM facing, containing facts for the players to maybe find out if they’re interested, and there’s also a common knowledge version (below) that the players will have access to from the start.
Known Facts
It is end of the beginning of the 18th Century. The so called ‘Golden Age of Piracy’ is almost over.
As foretold by the Voodou shamans - the dead have risen. Sailors and settlers vanish. Graves are empty. Ships return crewed by corpses.
A strange white powder called ASH is the most valuable substance in the region. Some use it as a drug, others for occult rituals. It's the main reason anyone still braves the Caribbean, and it’s harvested from the burnt remains of the undead.
The sea has opened up a yawning abyss South West of Cuba, darkening the sky above and inspiring terror throughout the region.
The pirate republic of Nassau still holds out, but barely. It’s one of the last ports free from colonial authority.
Familiar Rumours
An Old Stone Church in Havana is ruled by fanatics. They chant to a “Deep God” and claim death is not the end.
The mythical city of Atlantis has risen in shattered pieces from the Bermuda Triangle. Relics from its ruins fetch a fortune, and many who seek them go mad.
Additionally, strange golden artefacts have found their way to market, which the antiquarians have traced to the lost city of El Dorado.
Blackbeard; the legendary pirate of Nassau was thought dead - killed by the British Navy. But somehow, he’s returned. He is changed; undead, terrible, and now commands a fleet of the dead laying waste to everyone in their way.
Sailors whisper of a lone tribal figure, seen in jungles or cliffside ruins, never speaking, never ageing. His arrival always precedes catastrophe.
Conclusion
So there we go. If you’re one of my prospective players - I hope this tickles your pickle. If you’ve just stumbled upon this, I hope you can find inspiration in some of this.
Hey, thanks for reading - you’re good people. If you’ve enjoyed this, it’d be great if you could share it on your socials - it really helps me out and costs you nothing! If you’re super into it and want to make sure you catch more of my content, subscribe to my free monthly Mailer of Many Things newsletter - it really makes a huge difference, and helps me keep this thing running!
Catch you laters, alligators.
Very Belatedly, The Monster Overhaul Is The Best Damned ‘Monster Manual’ I’ve Read
Geared towards value as an in-game tabletop resource, The Monster Overhaul is a TTRPG bestiary that contains 200+ creatures, 20+ maps, traditional D&D style line art, and about a bazillion random tables of improv friendly prompts.
By JimmiWazEre
Really quite hungry, but otherwise opinionated tabletop gaming chap
TL;DR: Looking for the best monster manual for TTRPGs? The Monster Overhaul delivers 200+ creatures, logical organisation, and improv-focused tools that make running games faster (betterer, strongerer) and more dynamic.
This post contains affiliate links
What is The Monster Overhaul?
Well obviously, it’s “a practical bestiary by Skerples” of course, it says so on the front cover, see the image below if you don’t believe me :)
In case you don’t know, Skerples (a pseudonym, their real name unknown - Although, I’d like to think it’s something like ‘Max Danger’) is a bit of a rockstar in so much as we have them in the OSR blogging community. Kind of like a Banksy, for nerds.
Coming on the scene in the back end of the tweenies with the successful Coins and Scrolls blog, Skerples is responsible for community favourites such as the introductory OSR dungeon; the Tomb of the Serpent Kings and the somewhat gloriously whimsical Monster Menu-All: Eating the AD&D Monster Manual.
“Skerples wanted this book to exist, and it didn’t exist, and therefore had to create it” - Kickstarter
Geared towards value as an in-game tabletop resource, The Monster Overhaul (TMO) is a TTRPG bestiary that contains 200+ creatures, 20+ maps, traditional D&D style line art, and about a bazillion random tables of improv friendly prompts.
It was launched as a Kickstarter in 2022 with the help of Editor; Dai Shugars and a small team of artists including Dyson Logos & Lucas Roussel (and many more), and then delivered in 2023.
Naturally, I’m late to the party with my review coming in a solid 2 years after the fact. That means this blog post is neither evergreen, timely, nor an attempt to make an emotional connection with the audience. Good work there Jimbo - blogging 101 master… Don’t worry folks - I’m gambling on a late surge of interest which will rocket this post to the top of every single Google search. Wish me luck.
OK, this review isn’t sponsored in any way either, I bought the book myself. Twice technically, because I’m an idiot. Sigh, let’s get on with it shall we?
What’s It Trying To Do Differently
I see TMO as a clear reaction to the popular mid/late-tweenies 5e school of thought, whereupon a surge in new people into the hobby lead to the inability to correct en masse an oft held assumption among GMs to view creatures as little more than bags of hit points to simply be balanced against player characters for them to fight. “Fairly”.
Instead, this book wants to flip the script and give creatures breadth and depth to their behaviour and motivation, to help train GMs to replace the idea of a “combat encounter” with the more liberating idea of a “generic encounter” - in other words, not all encounters with creatures need to be conflicts, or if they do, then they certainly don’t all need to be combats, or if they do, they certainly don’t need to be balanced!
Additionally, it’s clear that TMO wants to address the issue of TTRPG books being mostly full walls of top to bottom long form text, and nigh on impossible to use effectively whilst under pressure at the game table. If you’ve read my guide on how I prep notes for an adventure, you’ll understand where I’m coming from.
So, What Works Well
All the information in TMO is presented concisely, which is great when you’re at the table trying to find something out on the fly. If you’re anything like me - then you cease to be able to function efficiently when presented with lengthy prose to parse under pressure. Skerples (AKA Max Danger, by me exclusively) obviously recognises this and has made sure that each monster write up is lean and to the point, functional, and respects the urgency of the moment. That’s… liberating.
Additionally, each creature gets a set of bespoke prompts delivered in a tabular format which allows the GM to quickly add some extra flavour to a vanilla monster (terrible metaphor - I bloody love vanilla), in turn presenting the players with an array of hooks and roleplay opportunities to explore as solutions… you know, as opposed to simply presenting the same bland goblin we’ve seen a hundred times before, thus setting the expectation of another combat.
Such flavour might include names, attitudes, motivations, where their home is, modus operandis, catchphrases, favourite riddles - the list goes on and is bespoke for each creature, with more options provided for more worthy creatures.
Without saying the same thing over and over again in a slightly different way, this; 🡱 is the money, right here. If you only wanted the main reasons to pick this book up, they’re in the former three paragraphs. Reread them if you have to - I’ll wait. If they don’t sell you on it, then nothing else will.
You want to know more? OK, well the book is organised by the logical category (habitats, seasons, game genre) that you would find the monsters in - so what, right? This is another clever way of saving your time at the table. Imagine, your players are in a dungeon and you need to make up an encounter on the fly - Now the most relevant ingredients of that encounter are all next to each other in the book and you don’t have to go page flipping.
Not that the book makes page flipping hard though - with a handy ribbon bookmark to keep your page, and sturdy stitch binding, I’m confident that my copy of TMO is going to last for years despite the regular use.
Why It Might Not Be For Everyone
This book is great, but I wouldn’t be doing you any favours if I didn’t highlight some of the reasons that it might not be right for you. So here we go:
It ain’t cheap by a long shot. I mean, sure, you pay for quality - and I’m certain that Skerples can’t afford a loss leader business strategy, but we’re talking £50 for the hardback book. Even the corporate overlords at WOTC are only charging about £35 for their latest monster manual wheeze. The PDF isn’t much cheaper either: £22 squidlyroos! That said though, would I rather have something cheap, or good? For me - it’s totally worth it. Twice in fact.
If you’re running something with heroic style characters like Pathfinder or D&D 5e, then this book is still great for you for all the improv prompts and stuff, but you are gonna need a separate resource for your monster stats - well, either that or the ability to convert them satisfactorily on the fly.
The book is the same sort of size as a WOTC book. It’s mahoosive. Sure that means it’s packed full of value and creamy marrowbone jelly, but it also means it’s quite unwieldy to have this beast hidden behind your GM screen among your dice, notes, and stash of Universal Monster Tokens.
The artwork inside is all very old school, black and white lines - I think this is very, very cool in general, but some of the art isn’t for me, maybe not for you either. Additionally, if you’re wanting full colour spreads, this isn’t that.
Reeeeally nitpicking now, but I wasn’t kidding when I said those pages were chock-a-block full of stuff. I’m… not normal (ha!), when I see that much stuff on a page it can be quite disorienting. That’s not to say that I didn’t get used to it though, but it’s something to be aware of which could be an issue for some folk, let’s call it a lack of whitespace!
What Other Reviewers say
My own conclusion is coming below, but in the meantime, whilst you might think that it’s a novel approach to include content from other creators in my review, my stance is that if information is power, then my dudes, I want you to be powerful. Let me know in the comments at the end of the review if you appreciated the links to these videos, or if you think I should leave them out next time.
Conclusion
I really like this book! It’s an evocative, actionable toolbox for GMs, and so much more than a mere monster manual.
If you want to pick it up, I have an affiliate PDF link for Drive Thru RPG (The Monster Overhaul) and physical copies affiliate links for Compose Dream Games (UK) and (North America). These should give you plenty of options, and if you use them then it means I’ll get a small kickback on the sale at no extra cost to you. Go on, treat us both ;)
Hey, thanks for reading - you’re good people. If you’ve enjoyed this, it’d be great if you could share it on your socials - it really helps me out and costs you nothing! If you’re super into it and want to make sure you catch more of my content, subscribe to my free monthly Mailer of Many Things newsletter - it really makes a huge difference, and helps me keep this thing running!
Catch you laters, alligators.
Do You Call For Too Many Rolls?
Inappropriate rolling is problematic because when the dice Gods inevitably laugh in your face, the GM is left struggling to come up with a reason for the fail.
By JimmiWazEre
Opinionated Tabletop Gaming Chap
TL/DR - We like dice, they're cool, we spend a lot of money on fancy ones and we like rolling them. All that's a given. But as Game Masters we need to break the bad habit of calling for dice rolls for every little thing that our players try to do, because failed trivial actions break verisimilitude.
Introduction
As I originally conceive this, I'm currently on a flight to Amsterdam to see GreenDay live with Mrs. WazEre and I'm watching a downloaded actual play of Alien RPG to pass the time.
Or at least I was, but a particular cardinal GM sin was repeated one time too many and I felt compelled to mount my soap box…
You see, the GM kept asking for dice rolls for mundane things, like opening a door, or looking at a security card to see what's on it.
You might be thinking 'so what?!', well dear reader…
Inappropriate and excessive rolling is problematic because when the dice Gods inevitably laugh in your face, the GM is left struggling to come up with a reason for the fail.
When there's no good reason for failing an action that maintains verisimilitude, the resulting attempted explanation inevitably feels forced and awkward.
Compounding this issue, when they see something that seems otherwise simple, fail like this, the other players will start asking if they can try. You can either come up with justifications why they cannot, or allow them to roll also, but when fate curls another one out on your head from a great height, and this new character fails their roll too - Well, now the problem is exacerbated.
Why are all these characters unable to identify if this is a library card or a birthday card, and to whom it’s made out?!
We’ve created a major issue for the players sense of agency. Our dice calls have turned their characters into clowns against their will!
Everyone Is Guilty
I’ve never seen a GM not do this at some point. I used to do this too, and not so long ago that I can’t still keenly remember how uncomfortable it feels to call for a roll and then be left trying to come up with a legitimate consequence for failure. Or maybe success was actually really important for some reason, so after an unnecessary roll where the player scores a 4, I’d try to pretend like 4 was the DC all along.
Yeah, the players catch on to that and it's a cringeworthy moment.
Here’s A Fun Anecdote, That I DEFINITELY Don’t Hold A Grudge About
Going even further back, in my first game as a player, I remember my rogue (DEX = 18) out in front, creeping down some stairs with the party in tow. I was just being cautious and quiet about it, but there was no threat. However, a stealth roll was called and I scored a natural 1.
The GM then fumbled about, grasping for a severe consequence to the crit fail and ruled that I fell down the stairs.
And Just like that, ripped straight out of the moment, there went any semblance I had that my character was a competent thief.
If it’s not obvious already - There’s no need for a rogue thief to roll when creeping, unobserved down a stairwell. That’s an automatic success situation. My rogue thief walks around quietly as his day job - he’s good at it, he probably eats it for breakfast. It’s his entire reason for being.
Ironically, if I had just said I wanted to go down the stairs like the party following me had, the GM wouldn’t have called for a check, but because I said I wanted to go down cautiously, he felt like a sneak roll was required, and the failure, and subsequent desperate explanation led to a situation that turned a cool character into a joke.
Not that I’m still bitter about it or anything ;D
To Roll, Or Not To Roll? That Is The Question
This advice is applicable for every system I've ever played, and some, such as Mothership RPG and Mausritter have explicitly baked it into the rules in one form or another. However it’s often still overlooked.
So here it is, drum roll, please:
Only call for a roll if there is clear risk or urgency attached to the action. Otherwise just have characters automatically succeed or fail as appropriate - depending on how mundane the task is or if the characters backstory supports their skill in a particular action.
That reminds me - It's particularly important advice for games where you have to look for McGuffins. Recently, a chap on my socials was upset about his Call of Cthulhu adventure falling apart because his players failed their spot hidden rolls to find important clues, even with the “rule of three” - his game had ground to a halt after they’d failed their checks.
Well, now you know; the solution is to not put important clues behind dice rolls in the first place.
Perhaps Sir Would Like To See Some Examples?
These are some pretty on the nose cases where some similarly paired situations should and shouldn’t require a dice check:
If the rogue wants to unlock the shed door - he succeeds, because he’s good at this stuff, and no one’s watching, and there’s no time pressure.
If the rogue wants to unlock the kings bedroom door quickly before the guard circles back around - make a check. Failure means the guard sees you.
If the marine wants to shoot (with a tranquillizer dart, of course!) a bad guy sleeping at his desk - she succeeds, because she’s passed her basic training and she can fire a gun.
If the marine wants to shoot a bad guy on patrol and avoid alerting the base - make a roll. Failure means the bullet whips past him so he takes cover and radios for help.
If the geology professor wants to see if the Necronomicon is in the big pile of books on the messy desk - they can simply determine that because they’ve got eyes and time.
If that same geology professor wants to find the Necronomicon on the desk whilst the room is on fire - they need to make a roll. Failure means that the desk and everything on it is caught on fire before the Necronomicon is found.
You get it right?
It's a small change but it makes a huge difference to the flow of your game, not to mention that it prevents players from experiencing that sour taste that accompanies being denied something that you just know should have been a given.
A top tip
An excellent mental technique in game is to pause a moment and try to explain the consequences of failure to yourself before calling for the roll.
If you find yourself unable to come up with something that doesn’t feel contrived, don't call for the roll!
Conclusion
What do you think, do you call for too many rolls? Does your GM? Am I just wrong about this? Drop me a comment below and tell me what you think!
Hey, thanks for reading - you’re good people. If you’ve enjoyed this, it’d be great if you could share it on your socials - it really helps me out and costs you nothing! If you’re super into it and want to make sure you catch more of my content, subscribe to my free monthly Mailer of Many Things newsletter - it really makes a huge difference, and helps me keep this thing running!
Catch you laters.
6 Games that nail What Rules-Lite TTRPGs Should Be
A good rules-lite system doesn’t overwhelm you with procedures and crunch for every situation. Instead, the key procedures are covered and it gives you a clear, concise core mechanic. Then it trusts you to apply it flexibly.
By JimmiWazEre
Opinionated Tabletop Gaming Chap
TL;DR - Rules-lite isn’t the same as rules-incomplete or rules-inconsistent. Don't conflate them.
This post contains affiliate links.
Introduction
I want more people to play Rules-Lite games, but this crusade of mine is hindered by a misconception of what a rules-lite game actually is.
A lot of people hear "rules-lite" and think "lazy" or "half-finished." But that’s missing the point entirely. A great rules-lite RPG isn’t undercooked, it’s efficient, elegant, and focused. Let’s unpack what makes a minimalist system actually good, and why "less" doesn’t mean "worse."
What Is Rules-Lite
A good rules-lite system doesn’t overwhelm you with procedures and crunch for every situation. Instead, the key procedures are covered and it gives you a clear, concise core mechanic. Then it trusts you to apply it flexibly.
It’s just like that old saying:
Give a GM a fish, and they can run a session. Teach a GM to fish, and they can run a campaign.
Or something like that. I don’t know, it's close enough.
What isn’t Rules-Lite?
Let’s be crystal clear, rules-lite is very different from rules that are simply incomplete or inconsistent.
Inconsistent rules happen when a mechanic is explained more than once but the explanations don’t match. This usually signals a rushed edit. One version may or may not have replaced the other, but both made it to print. That’s not planned ambiguity, rather it comes over as just poor proofreading.
Designers: please, if someone flags this, don't try to convince us that you’re providing options. No one's falling for it, just own it and issue a FAQ or errata.
Incomplete rules are when a mechanic is introduced but not fully defined. For example, a game might explain how to hit an enemy in great detail… but never actually explain how damage works. You can’t convince me that this is minimalist design, it's just frustratingly half baked rules - because now we know that there is a specific way that this should be done, but we’ve no idea what it is.
RAI Matters
It all comes down to understanding the Rules as Intended (RAI). If the designer has said enough to give the GM an understanding of the game’s core rules language, then the GM should be confident that they can make a ruling that falls in line with RAI. If not, flesh it out some more.
Gameplay examples are great for this, as are developer commentaries in the sidebar. Designers take note!
Experience matters
I'm a big fan of the rules-lite philosophy, but if you've never run a TTRPG before, there is a danger that you might not have developed that muscle yet which allows you to make rulings up on the spot that feel consistent with the game system. Just bear that in mind before you pick your first game.
That’s not to say that a rules'-lite game shouldn’t be your first, but rather that I just want to make sure that your expectations are managed. It may start difficult, but it will get easier as you go on.
Recommendations
If you’re interested in picking up a good rules-lite game, then I’ve got a short curated list for you of some of my personal favourites. Full disclosure though my dudes, some of these are affiliate links, and if you chose to pick one up using the links provided, then I’ll get a small kickback at no extra cost to you.
Mausritter
Mausritter is a charming, rules-lite fantasy RPG where players take on the roles of brave little mice in a big, dangerous world. Built on Into The Odd, an OSR style framework, it uses simple d20 roll under mechanics and item slots for inventory, making it quick to learn and run. Its elegance lies in its ability to deliver rich, old-school adventure vibes with modern usability and 1990’s Disney cartoon flair.
I played in a duette game of this with my wife at the kitchen table, and she really enjoyed the vibes. With tweaks to the lethality I can see this being really popular with young families too.
Index Card RPG
ICRPG strips tabletop roleplaying down to its essentials with fast, flexible rules that encourage creative problem-solving and dynamic pacing. Everything runs off a single target number per room or scene, making it intuitive and highly adaptable. Its modular design and DIY ethos make it perfect for GMs who like hacking and building custom worlds on the fly.
EZD6
Created by DM Scotty, EZD6 lives up to its name with a system that’s incredibly easy to pick up and play. Most rolls come down to a single d6 against a target number, streamlining gameplay while leaving plenty of room for dramatic moments. It’s especially good for narrative-driven groups who don’t wanted to be limited by predefined abilities on their character sheets, and instead want to freedom to narrate their abilities as they see fit.
One of my players who’d never GM’d before in her life ran a couple of us through a homebrew adventure using this system and it was an absolute blast.
Pirate Borg
Pirate Borg is a brutal, rules-lite game of swashbuckling horror on the high seas. Inspired by Mörk Borg, it mixes fast, deadly mechanics with punk rock layout and evocative setting material. It’s ideal for players who like their pirate adventures with a side of doom, decay, and dark magic, and who don’t mind their characters dying spectacularly.
The squint-and-it’s-historical side of this game has literally made me buy pirate history books and start listening to pirate podcasts. I love all that stuff now, and it takes me back to my childhood - playing Secret of Monkey Island on my big brother’s Amiga. Good times.
GOZR
GOZR is a wild, gonzo sci-fantasy RPG that feels like it escaped from the back of an '80s metal album cover. It runs on a straightforward d20 roll-over system and embraces weirdness at every turn, from its mutant characters to its DIY zine-style aesthetic. It's brilliant for groups who want something fresh, funky, and full of chaotic creativity without a ton of prep.
I also wrote an opinion piece for this game a few months ago which included a free system cheat sheet that I’d worked on with the help of the games designer to get players started sooner. Can’t recommend it enough!
Spellz!
Indie developer, Jake Holmes recently reached out to me on Bluesky with an interesting little one page rules-lite game he was working on called SPELLZ! The game is still in it’s beta testing phase and he’s taking feedback on it it, but for the price of totally free, and for the sake of reading less than a single page - it’s definitely worth a look in if you want to see just how lite the rules can go!
It’s a fast TTRPG where magic is improvised in real time using letter tiles. Players draw tiles and try to form words on the fly — the word they create becomes the spell, and its effect is narrated accordingly. Stronger or stranger words often have bigger effects, and failed spell attempts can backfire spectacularly, with the GM repurposing your discarded letters.
I’ve not played it, but I have given feedback on the rules which was promptly actioned. It looks quick, and perfect for creative groups who enjoy thinking on their feet, might even be a way to introduce TTRPGs to your mum, dad, and nan who’s idea of a tabletop game otherwise begins with crosswords and ends with Scrabble!
Heya, just a thought, if you want me to take a look at your game and feature it on the site, like SPELLZ! Then drop me a message, lets have a chat!
Conclusion
The key message here is that if you've been frustrated by rules-incomplete or rules-inconsistent in the past, please don't be put off a rules-lite system because you're assuming it's the same thing. It ain't. If you get overwhelmed by books the size of a university textbook and you want to start small, rules-lite could be for you.
And so endeth the sermon.
Hey, thanks for reading - you’re good people. If you’ve enjoyed this, it’d be great if you could share it on your socials - it really helps me out and costs you nothing! If you’re super into it and want to make sure you catch more of my content, subscribe to my free monthly Mailer of Many Things newsletter!
This post contains affiliate links.
Lost Mine of Phandelver (LMoP) is the first D&D 5e starter set adventure. Released in 2014, LMoP is an event driven campaign for 3 - 5 players, taking characters from level 1 - 5.